Smart Music Live Online Sessions teams up with Ryan C and Bayanihan Musikahan

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Smart Music Live Online Sessions teams up with Ryan C and Bayanihan Musikahan

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Smart Online concert to raise funds for the fight against COVID-19 continues with even bigger stars this May 2020.

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Smart Communications stages Season 2 of Bayanihan Musikahan to continue to rally support for those affected by COVID-19 while uplifting the spirits of Filipinos staying safe at home. In partnership with Smart Music Live (SML) Online Sessions, the online concert series increases its vigor as the most visible Filipino citizen action platform at this time

Season 2 brings revved-up musical specials bannered by stars. The SML Online Sessions widens the reach of what promises to be a memorable night with . Asia’s Songbird herself, Regine Velasquez-Alcasid. She performs with her husband, the popular singer-songwriter Ogie Alcasid on Bayanihan Musikahan’s Facebook on Friday, May 15, to be streamed over Smart’s official Facebook page.

Following the call from project lead and National Artist Ryan Cayabyab, the husband-and-wife tandem of Ogie and Regine immediately devoted time, effort, and talent to prepare for this livestream concert. Like the other 100+ musical artists who have participated, they do so gratis, and with the same big heart for their fellow Filipinos. .

The singer and the songwriter —who helped raise Php 5 Million for this particular show—are offering talent to assist urban poor communities find and sustain their own talent for survival.

Exceptional team story

“Mr. C,” as Cayabyab is fondly called, emphasizes that Ogie and Regine now becomes part of an exceptional story. “The most exceptional story for me is that of working with this team in Bayanihan Musikahan.”

“I haven’t met a team of people as highly motivated, intelligent and industrious as this team who have brought their respective expertise to the table and raised more than 70M pesos to help alleviate the plight of the most vulnerable of our brothers and sisters living in Metro-Manila and outlying provinces.”

Mr. C refers to the more than 300 Filipinos working invisibly to produce Bayanihan Musikahan and to also take care that the donated funds are immediately translated into food packs are delivered to the urban poor. These hundreds of volunteers include community organizers who are themselves urban poor, who belong to the Samahan ng Nagkakaisang Pamilya ng Pantawid (SNPP) and its allied people’s organizations.

A substantial number of enablers of the “end-to-end” project are those with Philippine Business for Social Progess (PBSP), which has taken up more than the work of fund management for which it is well known in social development circles. PBSP has taken up the multiple challenges of transportation, linking up with vegetable and rice farmers, and organizing logistics.

The worst and best times for musicians

For the music industry, the chance to virtually hold hands with civil society and with the most vulnerable Filipinos takes place at a time of vulnerability for the artists as well. Cayabyab who will also be seen in a Huntahan Musikahan program on the same day as the Ogie-Regine concert, describes the unusual situation:

“It is the worst time, and the best time for musicians, creative artists and composers. The worst time, because there are no jobs available, no live performances, no gigs, no regular work that are needed for recordings, for live TV or taped TV shows, etc.” But he also says that : “it is the best time – because then, we can practice more, have more time perfecting our craft because there are not many distractions, and no traffic that eats up a person’s work hours”.

“It is also the time when much creativity is happening, to address the various situations we are faced with. We are circumventing or re-thinking how to use our talents to entertain. When at first it was only to express ourselves, we are now thinking of ways to monetize our performances online. We will get through this, and we will be better musicians, performers and creative thinkers and artists,” he explained,” he explains.

There’s also a certain kind of intimacy that online concerts provide, Mr. C continues “We are actually closer to our audience. Anyone can interact with us when we are online. Re online concerts – we have discovered that there is still no app that can approximate real time jam. So until this is realized, we can only produce live music videos from home using the technology available. But so far – ANYONE can do online concerts with just their device (phone, tablet, laptop) plus an array of acoustic or electronic instruments or solo voice.”

Mr. C says that adjustments had to be done by both performer and audience. “We prepare much the same way as we have always done prior to any performance. Being professionals, we know how to rev up for a performance.”


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